Best integrated lufs for spotify. for youTube I just might get away with -12 LUFS.
Best integrated lufs for spotify. 5 lufs, otherwise its the usual -14lufs if .
Best integrated lufs for spotify Right now my master is around 11 integrated LUFS and my references are around 9 or 10 integrated. 5 lufs, otherwise its the usual -14lufs if Jul 2, 2020 · If your master is louder than -14 dB integrated LUFS, make sure it stays below -2 dB TP (True Peak) max to avoid extra distortion. 5 LU Realtime dynamics: 7. 0dB peak. For this reason it's usually better to go for whatever sounds the best, not what measures something particular unless you're aiming of e. Here’s a rundown of the loudness standards adopted by some of the most popular streaming platforms: Spotify: -14 LUFS (integrated) Apple Music: -16 LUFS (integrated) YouTube: -14 LUFS (integrated) Nov 29, 2024 · Here are the LUFS standard targets for some of the most popular streaming platforms: Spotify LUFS standards. 6 LUFS integrated! Which is against lufs' guidelines. 2 I checked Nickelback's San Quentin it was at -7 integrated with -5 short term max and peaking at -0. Shoot for something closer to -10 to -12 LUFS, and utilize more of the dynamic range you have available. You could, hypothetically, make a really long song with a low loudness level throughout but with a short, really loud moment and the integrated LUFS wouldn't be affected much. Loudness management works to remedy this. Spotify once reduced their playback level from -11 LUFS integrated to -14. 5 LUFS Loudness Range: 3. This is only a number Spotify (other streaming services vary) have chosen to adjust tracks to so the user gets a more uniform listening volume when listening to lots of tracks from different artists. The best thing you can do is mix against reference mixes. Perhaps this is what Trakworx is referring to in his recent comment? I may put much effort into tweaking LUFS toward a -14dB sweet spot, which emerging standards are now making unnecessary for my quieter mixes. Your newly adjusted audio will be sent to all streaming services you've selected. -10 to -7 LUFS is plenty loud. It can and sometimes does cause major issues and artifacts if you try uploading a file to SoundCloud that peaks higher than -1db, idr correctly off the top of my head the exact threshold Spotify suggests but you should def follow their suggestions. 9)? That's why I always have 2 masters, 1 for Beatport and 1 for spotify. com Jun 30, 2019 · Momentary Max = -7. 09 LUFS Not really suitable for Apple Music or Spotify and many others I guess. LUFS is obviously not a perfect measure of loudness. That is the true LUFS of those songs. I just de-mastered a track that was -8. As these labels might personally know people at YouTube or Spotify etc. Sep 4, 2022 · As we see now, most master records are louder than this limit. for context most websites are -14 lufs, Spotify has 2 different modes, for the normal mode it will work for up to 7. Now AES is recommending that all music streaming services switch to -16 integrated LUFS. I seen a ton of True Peaks that went into the red +0. Most of their integrated LUFS levels were around -10. This is the standard loudness Spotify uses for their loudness normalization, and any track mastered louder or softer than this will be adjusted accordingly. You will realize that almost everything is above -9 LUFS (integrated), pop music can go up to even -7 or -6 LUFS and there are even more louder ones. 27 LUFS Integrated = -12. But I was wrong. Some hit around -0. So I think -5 LUFS can make sense. According to the Spotify FAQ we can read: Let’s say I master a song to -10 LUFS integrated. I sent one of my own mixes to a mastering studio for a free sample, and the file they sent back was also around -9. It didn’t. Even Spotify and Apple recommend -16 to -14 LUFS Integrated, and that's not even any sort of standard. One of the number one complaints from users is inconsistencies in volume. So I targeted -8. Integrated LUFS measures the overall loudness of a track from beginning to end. 5 and true peak of -1. Apr 30, 2020 · If you feel like your tracks sound best at -12 to -14 Lufs then by all means, or -10 or -8, or even -6 or -5 integrated LUFS then have at it, just make sure it SOUNDS GOOD at those levels, sure good is in the ear of the beholder, but i'm talking about the other good, being professional, clean in a good way, full with no nasty distortion Should I be focusing on Integrated LUFS or Short term? or both? That's the part I'm a little confused on. 5 LUFS (like AC DC Back In Black) both streaming platforms will decrease the volume of that track to around -14 LUFS. 6 LUFS at one part of the song won't result in your song being turned down or having its dynamic range squashed as long as the average loudness isn't that high. for youTube I just might get away with -12 LUFS. Spotify is turning your song down by 6 LUFS. It was a completed song too with percs and other instruments, but then again, that was when I first started doing music production seriously. But download an official MP3 or WAV file of a song you like and you’ll see that no professional is adhering to -14. 0 dB, the ad meets our spec. 1 LUFS Integrated: -10. ) Note: on one particular song I've been playing with since reading your advice, I've got to an integrated LUFS of -23. Sep 22, 2018 · We are mastering for Spotify LUFS and the recommendation from the service is to target around -14 LUFS as integrated value. But almost no major records are mastered to that standard. Forget about LUFS, you don't really need to know what your LUFS levels are. Spotify’s target playback level is -14 LUFS integrated. 95 LUFS Short Term Max = -9. Oct 14, 2022 · This is best for lossy formats (Ogg/Vorbis and AAC) and makes sure no extra distortion’s introduced in the transcoding process. This is best for the lossy formats we use (Ogg/Vorbis and AAC) and will ensure no extra distortion is introduced in the transcoding process. If your master’s louder than -14dB integrated LUFS, make sure it stays below -2dB TP (True Peak) to avoid extra distortion. May 26, 2017 · Spotify’s -14 LUFS decision has positive, deep and wide ramifications for every tier of music production as integrated LUFS target levels take front and center. Most "commercial" tracks go way beyond -14 LUFS, and most EDM tracks are in the -8 to -4 LUFS range. Many use "ReplayGain" or their own unique formula. May 25, 2024 · Quote: Originally Posted by The_Phoenix_2018 ️ But say I want to retain the feel of the album, but at -14 instead of -10. Firstly, there’s nothing to say that -14 LUFS integrated will make your songs sound their best. Jan 19, 2024 · Best guess is that 80% or more of overall streams are normalized. 0 dB. This is because louder tracks are more susceptible to extra As long as the integrated loudness averages -16 LUFS (+/- 1. Spotify recommends a target LUFS level of -14 LUFS integrated. 9. This means that things like time-based effects can eat up a lot of your loudness budget even though they don't necessarily sound loud. This post isn’t telling people to master loud or quiet, isn’t justifying or trying to bring back the “loudness wars”, or anything like that. 8, the highest/momentary LUFS being about -17. Majority of the True Peaks where not even close to the -1. This number is NOT a target. 2 LUFS (integrated), bringing it down to -11. 5 integrated lufs and my left side is -13 lufs. How will spotify affect my track when they alter it to -14 db? Will there be any issues? I like my track’s stereo image this way so I would love if it stayed the same. Reply They all were the same on Spotify and Apple Music because they are the delivered masters with no normalization applied. Spotify uses ReplayGain+3db to approximate-14 LUFS. Feb 29, 2024 · Album mode assigns a certain LUFS measurement to a song, considering it's relative level within it's album. Notice that the master is 3 LUFS louder than the streaming service's target loudness. When mastering, don’t set the loudness to a predetermined number. As a result, many musicians and producers want to ensure that their tracks sound the best possible on the platform. Apple Music 一 Integrated loudness: -16 LUFS/True Peak: -1 dBTP . EBU R128 specs for broadcast. Have your master as loud as you want it to sound without normalization. YouTube 一 Integrated loudness: -14 LUFS/True Peak: -2 dBTP . May 28, 2023 · Understanding Different Types of LUFS. This is GREAT news. This is best for lossy formats (Ogg/Vorbis and AAC) and makes sure no extra distortion’s introduced in the transcoding process. Genre variations are significant; for example, rock and pop Target the loudness level of your master at -14dB integrated LUFS and keep it below -1dB TP (True Peak) max. If a streaming service normalizes audio to an integrated -10 LUFS, and a track has an integrated -15 LUFS, then the track will be turned up by 5dB. Interpreting Spotify's *playback* standard as a *mastering* standard is solely the provenance of internet prosumer-ism. 1 up to +0. By using only the loudest section of a song, you're looking at the momentary LUFS measurement. 1 LU is the equivalent of 1 dB. This sets the volume of your track to a competitive level, without adding distortion or clipping that can occur during streaming services' transcoding process, and without changing the sound or dynamic range of your music. quiet intro and outro sections can allow for higher LUFSst verse and chorus sections and a normalised chorus can be many dB over the When measuring loudness for normalization, Spotify uses integrated LUFS and measures the average across the whole track. That's it. Just make it sound good. The only way to get the integrated value is by analysing the entire song from start to finish - so if you’re using a metering plugin to get the value you have to play the entire song to Target the loudness level of your master at -14dB integrated LUFS and keep it below -1dB TP (True Peak) max. In many cases ReplayGain will respond differently than LUFS, which would explain your results. I assumed that my songs would sound better than other songs in the same genre when it’s published. All they did was simply turn it down like you would using a simple volume control. The tracks play at the same perceived loudness level, but the loud (or “peak”) parts of the more dynamic track will be much louder. May 2, 2023 · LUFS is an internationally recognized standard for measuring loudness, which takes into account the human perception of loudness. 0 LU Momentary max: -7. Spotify themselves even suggest submitting your music at -14 LUFS. 5dB integrated LUFS with 0. What does that mean practically for audio engineers? 2. For example, Spotify Web Player and Spotify apps integrated into third-party devices (such as speakers and TVs) do not have loudness normalization. How do the various loudness options differ? - The Spotify Community 4 - Most of the streaming services don't even use LUFS to measure loudness in their algorithms. Measured in my DAW, songs tend to register around -9. Let’s break them down a little bit so you can get a better understanding… 1. 0). So there goes all the BS about -14 LUFS out of the window. Feb 8, 2021 · This is done on Spotify, similar to all other streaming services, to keep the listening comfortable. Because that's what the "nobody masters to -14 LUFS" and "just use your ears" people are doing. Intersample peaks: the nature of the way audio is converted from digital points to analog waveforms leaves us with observable overshoot even when the “data” says 0dbfs. Also there are a whole bunch of other things that go into loudness perception, hence the whole dynamic range discussion. And now I am satisfied how it sounds across platforms (I checked only Spotify and YouTube, because I don't care others). -13. That is just the volume that spotify turns everything down to. Cause we all know a “louder” master/song is perceived as better psychologically in most consumers. Many people think Spotify normalizes to -14 lufs, however this is only true for certain spotify platforms like the iphone app. These plugins are designed to evaluate audio using average volume levels and the perception of loudness based on the Fletcher Munson Curve. There are different windows – and therefore measured numbers – of LUFS. Online, it seems like a lot of people have no clue what they're talking about and don't clearly say WHICH LUFS they're referring to. If a track has a loudness level of -9. I believe record labels are able to “bypass” or maybe possibly bribe they’re masters to release louder than the “standard” normalized LUFS. Spotify and Apple Music typically ask for tracks around -14 LUFS, but more on that My right side is -11. Oct 12, 2022 · Everybody said it’s the best for streaming platforms such as Spotify, Apple Music, Tidal, etc. This is how the required Spotify LUFS is measured. It encourages artists to make their music more dynamic and less compressed. The best option is to target your master LUFS at -14dB and keep your true peak at -1dBTP as this is the LUFS Spotify uses. Check out the “Mastered for iTunes” guide here. In this video I explain what “LUFS” A very dynamic track mastered to -14dB LUFS will have its peak levels preserved. . Spotify can be set to different playback loudnesses. Please be aware that you don't have to master to -14 LUFS. 5 LUFS) and the TPL is equal to or less than -2. 9 LU AVG. For most streaming services, you want the integrated loudness to be around -16 LUFS. Your songs will sound better and more on par with professional tracks, even with loudness normalization, if you master to -10 to -6 LUFS (Integrated). So the sound will be basically the same if you master the song to -14 LUFS or louder, it will still be streaming with an integrated LUFS value of -14. 5 LUFS and over 1 billion streams. They mention no arbitrary limits on dynamics. The user you are reffering to is correct. Tidal 一 Integrated loudness: -14 LUFS/True Peak: -1 dBTP for quieter masters, -2 dBTP for louder tracks . The -14LUFS target Spotify uses is integrated, which means the entire length of the song. Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. When you select this optional extra, DistroKid will automatically adjust the level and headroom of your audio to Spotify's recommended settings, -14dB integrated LUFS with -1dB true peak maximum. If you compare it to a loudly mastered track (at - 6dB LUFS for example), its peaks get lowered to - 8dB LUFS. 6 LUFS and -0. The best mastering level for streaming is an integrated -14 LUFS, as it best fits the loudness normalization settings of the majority of streaming services. If the integrated LUFS reading of a track is lower than target levels it is either left alone or a static gain offset is added to reach up to the target level (This raises a whole other problem with true peak margins and platform based limiting, but Spotify choosing -14 LUFS mitigates these issues somwhat. Spotify’s default “Normal” normalization setting (-14 lufs) DOES NOT ALWAYS NORMALIZE EVERY SONG TO -14 LUFSi. I master my Beatport tracks to -8 or 9- LUFS 0dB TP. This happens because the streaming services, like Spotify for example, will normalize the song to -14 LUFS anyways. So I will redo it an Master an Integrated -14 LUFS…. 5dB integrated LUFS. 3 LU, and true peak at 0db. g. Track mode assigns a potentially different LUFS measurement to the same song, considering only the single song. The best option is to not worry too much over the loudness of your track and focus on its quality. Apple Music, however, adheres to a –16 LUFS standard to preserve a balanced mix and dynamic range. None, there is nothing like a Spotify Master. Compared to the other songs on the same project though it’s like someone turned the volume way down. In 2021, Spotify adopted a level standard of -14 Integrated LUFS. I learned that the hard way by releasing tracks on Beatport at -14 LUFS that sounded too low. May 12, 2021 · In order to create the same consistency for music listeners, Spotify and some other streaming services “loudness normalize” songs, or set them to the same standard level using various systems including Integrated LUFS. It is worth noting that the integrated loudness will change depending on the length of the track. Meaning they reduced their target level by 3dB / 3LU. Jan 13, 2023 · Spotify LUFS and How to Master Tracks for SpotifySpotify is one of the most popular music streaming platforms in the world, with over 456 million monthly active users. Look below if you don’t believe me. Increases audio level per Spotify's recommendation (-14dB integrated LUFS & -1dB true peak maximum). This is best for lossy formats (Ogg/Vorbis and AAC) and makes sure no extra distortion’s introduced in the transcoding process. A lot were around 0. The problem with mastering to -14 LUFS. Thanks again and all the best! C. If the loud spots are reasonably loud, comfortably above -14, then I don't think it matters where the quiet stuff is sitting. Just in case, I downloaded a plugin to meassure LUFS and these are the average results of one of my songs: Short term: -9. 1 dB on Spotify web But in Spotify Mobile it was -14 integrated with -4 db peak Onto the -14 Integrated LUFS. Hope anyone can clarify Dec 29, 2019 · Mastering tips for Spotify Target the loudness level of your master at -14 dB integrated LUFS and keep it below -1 dB TP (True Peak) max. Spotify and YouTube both recommend –14 LUFS for best audio dynamics and consistent quality. This can vary between streaming services, but -14LUFS will have you covered for the most popular services like, Spotify, Apple Music, Deezer etc. That’s it! No damage was done. it's an integrated measure, which means that loudness at any point in time counts against the total for the whole song. for example, in order to reduce a track from -8 to -14 LUFS while maintaining a true peak value no higher than -0. Sep 22, 2020 · Using a LUFS meter to measure Spotify output is a problem because Spotify does not use LUFS to calculate loudness. Nope, the signal chain is spotify desktop app -> loopback through a focusrite saffire interface -> DAW (Logic Pro). This, however, also gives a reason why some tracks may “hit harder” than others. Your mixes might not The -1db peak threshold suggested by SoundCloud and Spotify, etc. So when I want to master for Spotify, does this mean that I should keep my levels during mixing at around -20 LUFS to have some headroom? And push the final master with a limiter up to -14 LUFS (or -16 to -13. 4dB, the closest to Spotify's guidelines I've got so far. Artists like Louis the Child, Flume, Odesza will all come out around or below -6 lufs. Spotify attempts to drastically alter LUFS levels by normalizing the true peak level. ReplayGain is much more likely to distort and clip when the volume of tracks are turned up due to them being below -14 LUFS on Spotify. 5 LUFS There are also two other reasons why simply mastering to -14 LUFS integrated is actually quite a bad idea. Aug 2, 2022 · The best mastering settings are -14 LUFS integrated loudness, with -0. That being said, pop tracks have a good amount of compression on most if not all its elements. 4 LUFS while increasing the transients punch. Integrated is the average loudness over the course of the entire track, so you have to run the entire track through your meter to get a final integrated reading. Some were even around -7! Target the loudness level of your master at -14dB integrated LUFS and keep it below -1dB TP (True Peak) max. I found some useful guidelines provided by Apple for measuring and preparing your masters for their platform. See full list on mastering. But in my case track got distorted when I tried to bump lufs. are due to the encoding process of those platforms. However, You can target mastering for Spotify LUFS to ensure the quality of your song is maintained. Sep 6, 2024 · Integrated LUFS. Basically, it captures the average loudness over the full duration of the song. The reason they are doing this is for user experience. I'm dissing the people who claim that they can create a -7 LUFS master that, after being turned down to -14 LUFS by Spotify, is louder than another master that's been aiming for -14 from the start. Users also have the ability to turn normalization off and if you master to -14 and then a song comes on after thats -6, its going to Also LUFS is an integrated average value which is why a song that's super quiet for 2 minutes and then super loud for 1 could have a similar value to a song that's decently loud for 3 minutes. and if you want to know exactly how your track will playback against reference mixes on Spotify make sure to LUFS match them in your DAW!! So if your mix is sitting at -16 LUFS (pre mastering) and your reference mix is at -9 LUFS, simply turn the reference mix down 7db to accurately Feb 21, 2020 · LUFS levels explained in 7 minutes! Learn how to master your music for Spotify, Apple Music, Deezer and Tidal using LUFS. Target the loudness level of your master at -14dB integrated LUFS and keep it below -1dB TP (True Peak) max. 2 True peak. If you want to go above -14 LUFS for streaming services that do not have normalization, watch at what level other songs are set up and go for the same thing. Jan 9, 2021 · An integrated – 14 LUFS is the default loudness normalization setting of the most popular streaming services. If you Master a track as loud as -14 LUFS it will be more quiet than a -7 LUFS Master, even after the Spotify adjustment. This means that music producers all over the world can stop fixating on extreme and unhealthy loudness targets and get back to making kick-ass dynamic music free from the damaging and The only measurement that’s important is the integrated LUFS, so when you have measured -9,5 LUFS in the loud parts, that doesn’t tell the whole story. As an example, here are the guidelines of some services in regards to ideal LUFS values:-11 LUFS Spotify Loud-14 LUFS Amazon Alexa, Spotify Normal, Tidal, YouTube-15 LUFS Deezer-16 LUFS Apple, AES Streaming Service Recommendations - Integrated LUFS (LUFSi) measures the loudness of an entire song - Short term LUFS (lUFSst) measures the loudness over a 3 sec time frame - A song can use it’s arrangement to exploit LUFS normalisation; e. So the algo takes the average (-10) of the tracks, and applies the same amount of gain(-4) to all three: Track A = -12LUFSi Track B = -14 Track C = -16 In the Recommendation for loudness normalization by Music Streaming Services The final boss theme for my indie game is very sonically dense, and the whole song comes to a -7. Then each LUFS measurement is used to determine how much to adjust the gain of the song in album mode or track mode playback. Appear across devices and platforms Podcast ads are served across mobile, desktop, tablet, web player, gaming consoles, smart TVs, connected speakers, in-car, and wearables. 5 dB, it must be remastered. In the world of LUFS, there are three main types of loudness units: Integrated LUFS; Momentary LUFS; Short-Term LUFS; They’re all used for loudness normalization but in very different ways. 3 LUFS Short term max: -9. Aug 28, 2023 · - Or it might feel lower because it's lacking punch, even though the integrated LUFS are the same. 3. Spotify will turn your master down to -14 LUFS and that's it. This is the most important metric to look at when preparing your track for streaming. That said i master at -14 LUFS since its what they want the majority of the time, and if i need to turn it up i can easily do that, or they can do that without having to compress my song. There are a lot of people who will do a better job explaining it than I will so Jun 8, 2021 · In all cases I let the song determine the best integrated LUFS level, while carefully nudging above -14dB if possible for quieter mixes. But it's better to have it louder than -14 so that Spotify only has to turn down the volume. their algorithms do not remaster songs but they do playback audio at the preferred loudness The point is, there is the LUFS system - and Spotify for example has dropped their target loudness to -14 LUFS. 0 LUFS True peak max: -0. Now go into your Spotify settings and turn off volume normalizing and measure again. As far as Spotify, if you use youlean loudness meter, they have a setting that says -11 LUFS is "loud spotify". If you want it to sound good on Spotify, bring in a reference track and adjust the gain on that so the integrated loudness is about -14 LUFS to simulate how Spotify will adjust its volume with normalization turned on. 2 LUFS -Spotify: Loud: -12 LUFS, Normal: -14 LUFS, Quiet: -23 LUFS Bad Bunny - “Me Porto Bonito”-Delivered: -8. In fact, some normalization algorithms don't use the portions of a track below a certain threshold when measuring integrated LUFS. Not the same thing. The second part of (the song) Billie Eilish - Happier Than Ever has -4. But adding my answer here too: What I do is to mix my music at low LUFS (-23 to -18) so I have plenty of room for transtients and for climax sections of my music, those climax can hit sometimes -12 LUFS and is great how my transients are still below 0db so they don't lose energy for the limiting process. Point number 1 in the OP addresses this: "1 - In the real world, loudness normalization is not universal. 2 to -0. 7 LUFS -Apple Music (Sound Check On): -16. If you're struggling to hit -14 LUFS, you most likely need to mix louder (not to be confused with "mastering"). Jun 30, 2022 · The integrated loudness is the easiest to measure and is simply the sum of all the loudness values over a given period of time. Like someone turning down the volume on a stereo. Make sure you’re measuring -10 LUFS across the whole track and not just your loudest section. So they turn down my master by 4dB. I think I've had a song posted on spotify once that was about 3-4 LUFS (integrated) below it and it sounded really quiet compared to other tracks. Get a good master, doesn't matter what the LUFS are really. What’s more, Spotify’s website says; Target the loudness level of your master at -14 dB integrated LUFS and keep it below -1 dB TP (True Peak) max. If this same streaming service received a track that has an integrated -7 LUFS, this track will be turned down 3dB. And of course there's also your mixing technique. In this Not at all. Here are some facts about LUFS and its application on Spotify: LUFS stands for loudness units to full scale; Integrated LUFS estimate perceived loudness for a track as a whole (or album as a whole). They’re gonna do what sounds best, and what sounds best will be different for every song. 1 (Not -1. Commercial track was -8. May 26, 2020 · Spotify and Youtube stream audio at around -14 LUFS. -14 LUFS is actually quiet, so unless you are mixing classical music or something super acoustic, you probably want it louder than that. 2 reasons as far as I understand it. Integrated LUFS Oct 28, 2024 · Spotify 一 Integrated loudness: -14 LUFS/True Peak: -1 dBTP for quieter masters, -2 dBTP for louder tracks . -14 LUFS integrated is a pretty conservative level. 0 to -0. One key metric for measuring the loudness of a track on Spotify is LUFS (Loudness Unit Full Scale). Although other measurements like the true peak value and other metrics need to be considered, -14 LUFS is the best mastering level when considering loudness. 2dBFS True Peak, and a minimum 6dB of dynamic range. I analyzed those songs, and I was shocked. That‘s a rumor spread by YouTube Mastering Gurus. Also, in Spotify Premium app settings you find 3 different loudness settings; "Quiet, Normal, and Loud". May 5, 2024 · For streaming audio success, you must manage loudness to match platform-specific norms. For example, a song I poorly mixed years ago is extremely quiet even though the LUFS integrated value is around -14. Mar 27, 2019 · For example, Spotify lowered their loudness target by 3dB in 2017, then in 2021 they switched measurement from ReplayGain to integrated LUFS. As used by Spotify etc. 5 dB My first song was -14 integrated over the whole song and peaking at -1. Harry Styles - “As It Was”-Delivered: -5. ) From what I've read, Spotify/other sites normalize songs based on integrated LUFS, so my song wouldn't be affected, but that doesn't make much sense to me. The best way to measure LUFS is to utilize a LUFS metering plugin so that you can get an accurate view of the audio levels through the LUFS meters. dynamics (PLR): 10. Either way. May 31, 2020 · I've measured the LUFS on a handful of songs on the Spotify desktop app using the Loudness plugin in Logic and also Izotope's Insight 2, and they are reading at -10LUFS, -12LUFS etc - see attached screenshot. 8 LUFS Level integrated, a peak loudness range of 1. Part of the sound of popular tracks is that loud mastering. Spotify Normalization. I thought Spotify would normalize them to -14LUFS? I also have the 'Normalize Volume' option ticked in my Spotify Preferences. Even though the loudness war might be over, -14 LUFS isn't the ideal loudness to aim for, it's the bare minimum. There was only 4 tracks with an average of about -14 Integrated LUFS. This can be quite a hassle, as there are more than fifty streaming and broadcasting platforms worldwide. I watched a video about LUFS (The Red Means Recording one) and it explained that for Spotify you should go for -14 LUFS and a -1db true peak. mqrdgrozjthnwghhjfjiplaarmtmewekfecgodwiamxro